Edited by Douglas Rosenberg and Claudia Kappenberg, this issue also features a report on the recent Screendance Symposium in Brighton by Claudia Kappenberg and Sarah Whatley.

Location: Z-Lab at UC Berkeley
2200 University Ave,Berkeley,CA 94720
Teacher: Ben Estabrook
Time: 10-4pm
Cost: $350
Student discounts available–see registration page for details.

An enlightening workshop that investigates the relationship between the camera and the dancer.  Participants will analyze film clips and partake in a series of hands-on exercises throughout the week.  Discussions on strategies such as how to achieve a cinematic look in films, the importance of sound design, adapting a stage work for the camera, and why some types of dance work better on camera than others will also take place.

Participants will have the opportunity to create a screendance study, but will need to provide your own camera (DSLRs are welcome), however a finished project is not expected. Participants are also encouraged to bring their own work if they would like feedback. The recommended reading for the workshop is Making Video Dance by Katrina McPherson (this is not required).

REGISTER NOW

From May 14^th-18^th 2012, Isabel Rocamora will host this workshop sponsored by the Napolidanza Association and II Coreografo Elettronico festival (art director Marilena Riccio), Rocamora will lead a research workshop on video-dance techniques. This hands-on workshop explores the stages of making a ‘dance for camera’ film, specifically considering the relationships between the language of video and the individual choreographic creativity of the participants. The focus will be on providing the practical tools for the development and completion of a choreographic film.

This workshop will take place at the PAN-Palazzo Roccella, Via Dei Mille 60, 80121, Naples.

• Day 1: brief presentation on Isabel Rocamora’s work; what is a dance film/ the creative process; digital photography for movement (technical workshop, basic understanding of camera, light, location, space)/ collaboration methodologies
• Day 2: the body and the lens – choreographic exercises choreographing the body for the camera and the camera to the body; working with place – the moving body and site (the city, a park, a building)
• Day 3: creating material / storyboarding and shoot planning
• Day 4: shoot
• Day 5: reviewing material / basic editing (dependent on resources)/ presentation and distribution strategies

May 19^th 2012 will be devoted to the public screening of the movement-based short film produced during the workshop and a Forward Motion Screening presentation.

**The workshop is open to a maximum group of 15. It is designed for early professionals (in dance and film) and students of film, dance, physical theatre/performance who wish to develop their skills and understanding of these forms.  There is no age limit or condition in order to participate in the workshop. The attendance at the workshop and the participation at the Forward Motion screening is free.  Travel, accommodation, transport and per diem costs are charged to participants.

All interested parties can send a brief bio and letter of motivation to the following addresses: info@napolidanza.com ; annalisa.piccirillo@libero.it

Deadline: April 22nd 2012

Info and Contacts:
Direction: Marilena Riccio – Associazione Napolidanza/art director Il Coreografo Elettronico
info@napolidanza.com

Curator: Annalisa Piccirillo – PhD, Università degli Studi di Napoli “L’Orientale”
annalisa.piccirillo@libero.it

Thursday March 29th, 6-9pm

NYFA Learning is pleased to announce that with the success of our first Doctor’s Hours for Filmmakers, we are continuing the program. The next round of one-on-one consultations will be held on Thursday, March 29th, from 6-9pm.

Starting a new film? In the middle, finishing, or trying to get one seen? Would you like some professional feedback on a work sample, trailer, website, outreach strategy, written material or grant application? Get the conversation started and come to NYFA’s Doctor’s Hours for Filmmakers. This event will provide you with individual, 20-minute one-on-one consultations with theatrical and nontheatrical distributors, exhibitors, broadcasters, outreach strategists, and fundraisers. Bring a short work sample or trailer, or show them your website, written materials or a grant application. Each appointment will be $25, and there is a three appointment limit.

Consultants: Thursday, March 29th, 6-9pm

Caitlin Boyle, Grassroots and advocacy-driven distribution and marketing, audience outreach and engagement

Jim Browne, Distribution, festivals, exhibition, digital distribution options

Ryan Harrington, Proposals, grant applications, festivals

Amy Finkel, Websites, interactivity, documentary production

Lynn Lobell, Proposals, grants, written materials

Christie Manning Marchese, Social media, new media, blogger engagement, transmedia campaigns

Paul Marchant, Distribution, promotion, festivals

Merrill Sterritt, Outreach, audience development and engagement, theatrical exhibition campaigns

Michael Tuckman, Distribution, festivals, promotional campaigns

*If you will be requesting feedback on a grant application or written material, please be prepared to provide it to us at least one week in advance.

For consultant bios visit our website
The topics we have suggested next to the names of our consultants (above) are certainly not complete descriptions of their expertise. For a better idea of their experiences and knowledge please refer to the short biographies on our website and check the websites of their own businesses and organizations.

TO REGISTER: Please visit our website for the link to registration. This link will activate at 10am on Thursday March 15th.

***Please Note – the registration form will not be active prior to 10am, Thursday, March 15th, 2012. When you register you will need to make a login account for your first registration.

WHERE:
New York Foundation for the Arts (NYFA)
20 Jay Street, Suite 740
Brooklyn, NY 11201
Directions

Kinetic Cinema had a merry time with the Merry Makers last Sunday, February 26^th at Fort Useless.  The night involved video and performances by Jessica Flannigan, Kate Taylor, and the Merry Makers Rachel Sattler and Elizabeth Burwell along with their filmmaker Ethan Duff. Though quite different from one another the three acts were tied together by elements of nostalgia, parody, and feel good comedy.

During the screening of their film “Adventures In Anytown,” Rachel, Elizabeth, Ethan cued us in on their battles with freezing temperatures, venue changes, time cues, costume design and crunch deadlines.  They shared clips from films that influenced the formation of their stage and screen personas including segments from Annie, Moulin Rouge and Lavern and Shirley among others.

To hear of the Merry Makers process from start to finish was inspiring.  It also reminded us of what we already know but sometimes forget, which is that when it comes to art New Yorkers are by your side to make it happen.

Join us for our next Kinetic Cinema event with Marta Renzi on March 22^nd at the Gibney Dance Center.

For more information about the Merry Makers, visit them on Facebook at http://www.facebook.com/MerryMakersDance?sk=wall

Dance New Amsterdam Theater
February 20, 2012 7:30 pm
$10 for DFA or DNA Members; $25 for Non-Members

Google Map
280 Broadway (entrance on 35 Chambers), New York, NY, United States, 10007

RSVP to brighid@dancefilms.org with Dance Film Lab in the subject line to reserve your place.

Screening excerpts of the key films that every filmmaker should know.  Focusing both on dance film and “traditional” films, this masterclass gives attendees an overview of development of film techniques, aesthetics and idioms, and discussion of concepts and the development of the cinematic form.

Instructor: Alla Kovgan
Alla Kovgan is a Boston-based filmmaker, born in Moscow (Russia). Her films and films that she co-directed have been presented worldwide including at the Sundance, Rotterdam, Toronto, Melbourne, Durban, Oberhausen, Clemont-Ferrand, MOMA, Louvre, Centre Pompidou, PBS (US), ZDF (Germany) and numerous others. Alla’s most recent film NORA (2008), her collaboration with the British filmmaker David Hinton, is an art film – a poetic biography of the Zimbabwean choreographer Nora Chipaumire. NORA has been an official selection of over 80 festivals, received 23 awards and will be broadcast on PBS in 2010. The two latest documentaries, which Alla co-directed and edited, an Emmy-nominated “Traces of the Trade” (2007) and “My perestroika” (2009) premiered at Sundance and on P.O.V. (PBS). Since 1999, Alla has been involved into interdisciplinary collaborations – creating intermedia performances (with KINODANCE Company), dance films and documentaries about dance such as “Movement (R)evolution Africa” (with Joan Frosch). Alla’s projects have been supported by Open Society Institute, LEF Foundation, Trust for Mutual Understanding, Bank of America Celebrity Series, among others. Since 2000, she has taught and curated dance film and avant-garde cinema worldwide as the Programmer of St. Petersburg Dance Film Festival KINODANCE (Russia) and as a co-Curator of Balagan Film Series (Boston). In 2009, Alla was awarded a Massachusetts Cultural Council Fellowship and a Brother Thomas Fellowship for artists working at a high level of excellence and creativity.

En Dedans, Gabrielle Lamb

New Yorkers and dance film-lovers from around the world look forward to the Dance On Camera Festival each year. For the past 40 years, this annual festival has been the central anchor and source for new dance on film. The 40^th edition of the Dance On Camera Festival will take place from January 27-31 at the Walter Reade Theater as well as the new Elinor Bunin Munroe Film Center at Lincoln Center.

While we at Move the Frame tend to focus primarily on dance made for the screen, the festival’s programmers have always made an effort to encompass the vast range of styles and genre’s that make up dance film. “We try to reach far and wide to find films that connect dance and camera in ways that will surprise and inspire viewers to deepen their interest in both mediums,” says Joanna Ney, co-curator of the festival. “This year’s selection offers a diversity of subject, style and genre aimed at the traditionalist as well as the iconoclast.”

Dance enthusiasts will find many documentaries about dance luminaries such as Natalia Makarova and Robert Wilson, historic dance presenters and companies such as Jacob’s Pillow, the Joffrey Ballet, and Pilobolus, and innovative choreographer Wayne McGregor. Film enthusiasts will enjoy innovative shorts by inspired directors such as Clara Van Gool, Pontus Lidberg, and New York’s own Jody Oberfelder.

In another post we’ll share with you our personal picks for the festival, but for now, go to DFA and the Film Society of Lincoln Center’s websites to see the full lineup, as well as schedule and ticket information.

With its sleek and beautiful presentation, savvy programming, and multi-disciplinary approach, The Netherlands’ Cinedans Festival is one of the greatest events of the year for dance film. The line-up this year promises not disappoint with new premieres by well-loved directors: Thierry de Mey (LA VALSE) and Clara Van Gool (COUP DE GRÂCE); new documentaries about well-loved choreographers: Jiri Kylian (JI?Í KYLIÁN: MÉMOIRES D’OUBLIETTES) and Lucinda Childs (LUCINDA CHILDS’ DANCE); and innovative installations that expand the concept of dance to new realms never before possible: DANCE ENGINE [interactive game] and the wearable film WHEN WE MEET AGAIN.

This year Cinedans continues to be progressive and visionary for the field. Besides offering regular screening programs, they have instituted a contest for One Minute Dance Films, a selection of 24 of which will be featured on various monitors throughout the festival. Other innovative programs feature 3D dance films and online dance films culled from the web. Aspiring filmmakers will appreciate the PITCH SESSION on Dec. 4th where attendees can pitch their ideas to a panel of dance film distributors and producers.

Mixing high art with low art, new and old, Cinedans gets the balance just right, and shows us why dance film is so vibrant and exciting today.

For more information and to view the entire festival schedule and programs go to: http://cinedans.nl

BLACK TRAIN IS COMING by John Williams

THURSDAY, DECEMBER 1, 6:30PM-8:00PM
New York Film Academy, Union Square Screening Room
100 East 17th Street
Subway: 4, 5, 6, N, Q, R, L

The Asian American Arts Alliance announced the first of their Fall ‘11 series of Brainstorm! discussions, ‘Produce and Distribute Your Own Film’, a creative conversation with esteemed directors and producers on how to distribute your own film. Based on the case study of ”Scalp” by director and producer Paul Chau and moderated by Mridu Chandra (coordinating producer & post-production supervisor, “Women, War & Peace”, and Adjunct Professor at NYU’s SCPS Film, Video & Broadcasting Department), the discussion will be informative and provide helpful tips from experienced and successful filmmakers.

Discussions with:
Director & producer, “Falling for Grace”, Fay Ann Lee
Executive producer, “Revolutionary Road”, Henry Fernaine
Director, “New Year Baby” Socheata Pouev

Tickets: $10 General Admision
Free for Alliance+ members and NY Film Academy students

Click here to purchase tickets