Archive for the ‘production tips’ Category

Organized and directed by Zach Morris of Third Rail Projects, the Dance Film Lab is  a community-building, monthly series for dance filmmakers to gather;  share information, methods, and tools; and address technical, practical and artistic challenges.

The Lab has three distinct facets:

• Moderated Screenings, which bring dance filmmakers together to present raw footage, drafts, works-in-progress and newly finished films to their peers for artist-centered, constructive feedback.
• Practicum Sessions where artists gather for hands-on, in-depth skill-building centered on peer-to-peer exchanges of techniques, methodologies and knowledge.
• Master Classes led by top professionals focusing on filming/production, post-production and distribution.

Dance Film Lab is a program of Dance Films Association, hosted by Dance New Amsterdam, and funded by LMCC’s Fund for Creative Communities.

The Lab is free to all DFA and DNA members– with DFL Masterclasses offered at the significantly discounted rate of $10.

Next Dance Film Lab event:

August 15 – 7:00-9:00 pm
Practicum with Zach Morris
Lighting/3 Point Lighting

DNA: 280 Broadway, 2nd Floor (entrance on Chambers) | New York, NY 10007

Kinect Installation at Singapore Dance Fest

When Microsoft unleashed the Kinect last fall as an add-on for Xbox 360, hackers and geeks the world over were chomping at the bit to break in and figure out what it can do. That’s because the Kinect is a $150 piece of equipment that contains a super sophisticated camera that can detect depth (3D), color, speed and motion, as well as stereophonic microphones that can place sounds in space. As a result it’s basically a rudimentary brain that has both sight and sound senses and can capture and respond to the world like a sentient being (almost).

The list of Kinect hacks has been piling up since it was released last November, and it will keep growing thanks to Microsoft’s new Kinect Developers kit for Windows (apparently a Mac kit is in the works). Among the coolest developments is motion capture software like Jasper Brekelman’s Brekel that enables anyone to create their own mo-cap animations using the Kinect. Here is a preview of “Under the HUD” by Triangle Productions, an animated series using Brekel and Kinect’s motion capture capabilities. Although the choreography is not so impressive, they give great insight into how they are using the technology.

The sensors on the Kinect make it a powerful tool for intermedia performance. Amazing live interactive animations like those of Chunky Move’s “Mortal Engine” can be obtained using the Kinect for a tiny fraction of the cost and technological know how. Here is an example of an artful performance with live video projections using a Kinect developed by the media and design firm 1024 Architecture.

There have been many technological precedents to the Kinect, but for a much higher price tag. In the dance world this kind of technology was formerly only available to universities and world class dance companies with loads of funding. The prototype of Kinect’s camera and microphone alone cost $30,000! How can Microsoft charge only $150 for the same technology? Well the answer is in the popularity of the device, which has already sold 10 million units and counting.

The fact that this device is called Kinect and was designed to track the motion of the human body seems to be a dream come true for dance artists and movers. I can’t wait to see what artists and geeks will come up with next.

To learn more and see loads of videos about hacks for the Kinect go to: Kinecthacks.net

Curious about 3D dance filmmaking? Check out this 6 minute FORA.tv video by Jacob’s Pillow Dance for an introductory primer.  Award-winning filmmakers Marlene Millar and Philip Szporer of Mouvement Perpétuel share their artistic approach and production process using visual examples from their current collaboration with choreographer Crystal Pite and the National Film Board of Canada.  Millar and Szporer describe how a 3D camera works, share their 3D story boards, take us inside the green screen studio with the dancers, and discuss why they are interested in the challenge of creating a stereoscopic experimental dance film incorporating animation.

Can 3D dance film change how audiences experience and participate in dance? What do you think? Comments and links to other 3D dance film insights welcomed.

WHY CHOREOGRAPHERS SHOULD TWITTER

By Lisa Niedermeyer

I AM ADDICTED TO TWITTER AND HAVE BEEN TRYING TO FIGURE OUT WHY.  It came to me at 2:30 A.M.

I am a choreographer, therefore when it comes to structure that can be experimented with, in seemingly infinite ways…sign me up.

Choreographers who understand the value of SELF-IMPOSED LIMITATIONS will appreciate Twitter’s “micro-blogging” limit of 140 characters. It is a fascinating challenge to communicate something potent, funny or informative in a sentence or less.

INSTANT FEEDBACK.

A definite factor in my addiction is the ability to track (instantly) responses to my posts. We don’t get that as choreographers very often. With bit.ly (a tool that allows you to “shorten, share, and track your links”) I am able to see which posts are duds and which are viral. I’m not saying I want an audience member to immediately tell me if my work engaged them or not, but in this format it is definitely an absorbing factor. 

The Twitter community is world wide. I want a vast range of people to discover my posts about the work I am doing as a choreographer and (hopefully) be interested. Each word inside a twitter post is searchable. You can also utilize keywords by “hashing” in front of them. For example #videodance #nonprofit #freetickets. The challenge is to create multiple posts around a specific “theme” using variations of words and keywords to optimize many different people discovering your feed.

DIFFERING ENTRY POINTS.

Installations, site specific work, and performances that cycle are often playing with differing entry points for the audience into choreography. Twitter feeds are never static, the order of your posts is continuously affected by your community’s simultaneous posts.

Recently I posted an entire dance review in Twitter-bite-sized pieces spread out over the course of 24 hrs, with an active link to the full article in each tweet. For the sake of experimentation I created many pieces of something seemingly out of order/context to see if it engaged one to look for the larger picture.

NEW TOOLS.

Since Twitter has reached critical mass new tools are continously being created for the platform.  Perhaps most intriguing is relative newcomer Twiddeo, video for twitter.

NEW LANGUAGE.   Choreographers are dedicated to experimenting with movement language and are often adept at learning new movement languages thru improvisation (rather than just instruction). To “cyber civilians” Twitter feeds can look like a Wall Street ticker tape or the coding for the Matrix. Don’t let this intimidate you, once you jump in and start improvising, observing, testing the language, you will be confident in no time (or right about 2:30 am after your first Twitter marathon).

Are you a choreographer or media artist? Have you been experimenting with structure on Twitter? What has been successful or interesting for you?  We’d love to hear about your experiences and success stories promoting dance through video on Twitter.

Do you share your original dance videos on twitter?

Share your original dance videos on twitter with us @MovementMediaNY and we’ll Re-tweet (RT)!

Movement Media wants to help increase your online viewing audience by promoting your work.  Feel free to nominate the work of others on Twitter, and we’ll also RT those videos.

If you don’t have videos on Twitter, but you would like to view more video dances, you can follow Movement Media on Twitter to stay current with the artists and videos we feature.

Follow MovementMediaNY on Twitter and stay up-to-date on events such as Movement Media’s screenings, festivals, workshops, and webinars.  You can also stay up-to-date on the weekly videodances and artists we feature on our new Video Dance Channel on YouTube in our  FilmingDance4web Playlists!

As many artists feature their work on YouTube, Movement Media promotes artist videos on our YouTube channel as well.  Contact us to let us know about YouTube videos that we could feature for you.  Share your own dance promo videos, your videodances, or nominate other videodances you’ve seen on YouTube to share with our online audience.

On FilmingDance4web, we feature dancers, dance companies, choreographers, film directors, video artists, and animation in our playlists.  Playlists inlcude Movement Media’s Favorite Videodances, Featured Artists, Featured Countries, Cheap Digital Recorder Art, Cell Phone Videodances, Aerial Dance, Gymnastics & Acrobatics, Trampoline, Fire performers, and more.  We celebrate all forms of dance and videodances.  Tune in and enjoy!

We look forward to sharing your videos through Retweets and showcasing your work on our YouTube Video Dance Channel, FilmingDance4web.

As you know, Boris Willis was our curator for our last Kinetic Cinema of the season. The subject of his evening was dance vlogs: a video blog with dance.  As an experienced dance vlogger, Boris has many insights into the process of creating videos, performing for the camera, editing, and using the web to share his work online.  He has graciously offered some helpful information about making dance videos, and creating dance vlogs.  Check out his inspirational work and helpful tips below.

Capitol Spring 2 by Boris Willis

Boris writes:

Why should artists create a dance vlog? I believe the answer lies in the number of times we have to explain what we do and have little in our culture to point to as an example. We have an opportunity to reach out to the public to show and explain the process of what we do, why we do it and how we feel about it. Here are some tips for you to think about as you make your dance vlogs.

1. Have a vision
   Find a way to make videos that you feel express who you are and what you want to say as a dancer. That being said, don’t just turn on your camera and dance, find a way to make an interesting and exciting video. Look at commercials and other short videos as inspiration.
2. Vlogging is personal and performative
   Make your vlog about you because it is the one subject that you know more about than anyone else. Dance, talk about dance, talk about making dance while you are dancing, dance about making dance.
3. Understand how the web is used
   Just because you have twenty minutes of footage doesn’t mean you should post it all to your vlog. Generally speaking three minutes is the most someone will watch. In other words keep it short, a sixty second video is plenty. As you gain more skills you will be able to make longer videos compelling by the way you edit them. It is always better to leave them wanting more than to bore them. Make stuff that people want to see and make it short enough that they watch it all.
4. Edit
   Learn how to use the tools of video editing. There are free editing tools that come with your computer operating system, Window’s Movie Maker for Window and iMove for the Mac OS. If you want to be able to do more sophisticated editing you can get Final Cut Express for the Mac and Premiere Pro Elements for the PC. For professional level editing you will need something like Premier Pro CS 4 for the PC and Final Cut 6 for the Mac. The great thing about video is that you can take the time to get it right and make your content compelling. However, the most important edit you make is at the end of your video, use a black out when the video is over and put your credits at the end of each video without a blackout so the credits are the last thing your audience sees. That way if your video gets distributed around the web everyone will know its yours.
5. Get the best camera you can afford
   You never know what will become of your work it is always best to get the highest quality video of your original work. When you put it on the web it will get compressed and lose quality but that is what we expect from the web. Having a high quality version for showing offline is a very good idea. I also recommend that you use a camera that records to video tape so that you have a backup. I always shoot in HDV but down-convert to SD to save disk space then compress it to the Quicktime format which eventually gets converted to flash.
6. Find a video host that you like
   I have been in debates about whether it is better to put your videos on Vimeo or YouTube or Blip.tv. There is no reason not to try all three and of any number of others. Just find one that you like. If image quality is what is most important then Vimeo is for you. If ease of distribution is what is most important then Blip.tv is for you. If getting your videos seen by a large number of people then YouTube is the way to go. There are pro’s and con’s for all three services and I use all three and others as well. Once you decided on a host for your videos choose a host for your blog. Blogger and Wordpress are two popular services that give you a variety of tools to enhance your content.
7. Be Consistent
   Follow your vision, update on a regular basis, make videos in manageable viewing times for your audience. You are not going to make money from advertising on your vlog but you can use your vlog as a tool to get work by showcasing your skills as a performer, choreographer, editor and artist. Let your followers know what you are up to especially when you are taking a break. People want to know that when they go to your blog there is regularly new content there that they want to see. Your dance vlog should be fun and informative. You should do it because you enjoy it.
8. Say hello
   How do you get people to follow your vlog? Email your friends, comment on other people’s vlogs, tell people you meet, get cards made. You can get free cards online from Vista Print.
9. Music
   Don’t use copy-written music. Find a musician among your friends or on the web that will let you use their music in exchange for some cross promotion. You can find plenty of music at this url http://www.archive.org/index.php Learn about Creative Commons use and credit the musicians for their work.
10. Describe the videos you make
    Write a description of the videos you post and use tags to help yourself and others find them. It is time consuming at first to describe your work but the value in doing so cannot be underestimated. Describe what you are doing in the video, give the location, who is in the video, when it was done and what the video is about.

-Boris Willis

danceaday.com