Posts Tagged ‘film’
Electric Salomés and the Origins of the Femme Fatale in Film
Filmmaker Amy Ruhl is fascinated by the body in film, particularly when it becomes mutated, dismembered or perverted by the cinematic medium. For her Kinetic Cinema program presented this past Monday at Uniondocs in Brooklyn, she focused on the rich history of the female body in film, especially that most intriguing of female archetypes, the femme fatale.
In her first short film, “How Mata Hari Lost Her Head and Found Her Body” Ruhl reimagines the famous courtesan and spy as if she lived her life the way it ended (by execution with her body donated to science and her head put on display at the Musée d’Anatomie). Ruhl’s Mata Hari is quite literally a person split in her allegiances – between mind and body, warring countries, sexualities, high and low art. There was no reconciling her contradictions, and in trying to have everything both ways, she enraged the very public she was trying to seduce and was destroyed.
Remembering Maya Deren
Maya Deren: 50 Years On
Fifty years after the death of filmmaker and choreographer Maya Deren, the art and influence of one of experimental cinema’s most inspiring and charismatic figures is celebrated and explored. The British Film Institute will present a dedicated program of Maya Deren screenings and events on October 4-12 2011, BFI Southbank, London.
For more information visit Maya Dean: 50 Years On
Xmas Wish List for Dancers
What do dancers need? 
Many dancers want to post their own dance videos online for self-promotion and need help finding equipment for filming. For example, if a dancer doesn’t have a video recorder yet, they may want one, or other equipment to help them get creative.
Here are 5 different gift suggestions (with links and and reviews on equipment) from seasoned Cameraman, Ron Kienhuis.
1. Video Digital Recorders
Digital Recorder by Zoom. Most camcorders (especially cheap ones) have horrible sound recording features, or are AGC (non manually adjustable). If audio is important to you, here’s a Digital Recorder by Zoom (known for the H2 and H4n) that does video! It’s very affordable at $249.00. http://www.discmakers.com/duplicators/peripherals/zoomq3.asp
Other multi-purpose recording devices are Digital Still Cameras with video capabilities. Here the choices are endless. Almost every manufacturer makes them in all price ranges. The most useful would be a camera with a Wide Angle lens and low light capabilities.
Canon’s Power Shot S90 for $429.99. http://tinyurl.com/yfyxxe5
Panasonic’s Lumix DMC-LX3 for $469.00. http://tinyurl.com/6zyxpo
At the same time nearly all Video Cameras can take stills, some at the same time as recording video. One of the last tape based cameras is the Canon HV-40. It has the capabilities to shoot 24P the infamous “Cinema” look.
Canon VIXIA HV-40 for $699.00. http://tinyurl.com/yarxynk
Flip Video Camera. Easy to use, and affordable. It costs $159.00. http://tinyurl.com/yej764v
Video Enabled Cell Phone or Music Player. Try Apple’s iPhone or iPod Nano. A simple way to record video is with a 3G iPhone or the new Apple Nano iPod.
iphone 3GS 32GB starting at $299.00. http://tinyurl.com/rbwkab.
ipod Nano 8GB at $149.00 and ipod Nano 16GB at $179.00. http://www.apple.com/ipodnano/
2. Creative Filming Options
Here are some fun cameras to try some different types of shots.
Waterproof Camera. Want to shoot near the water, or in it?!! Then you’ll need a waterproof camera. Check out the Sanyo XACHI VPC-E2 Digital Camcorder and Digital Camera beginning at 169.99 http://tinyurl.com/ycsyyfo
A Pet’s Eye View camera for only $49.99.
http://www.thinkgeek.com/electronics/cameras-photography/afbc/
3. Tripods and Camera Applications
GorillaCam Camera Application. Prefer to have a video recorded that affords you steady and level shots? Gorillacam is an iphone app that works with your camera to improve your camera capabilities. It includes a self-timer for self-portraits and group shots, and time-lapse photography, and other features for FREE. Read more here. http://joby.com/gorillacam/
GorillaMobile Flexible Tripods. When cell phones and some video recorders do not have ways to attach a tripod you need to rely on a friend to operate it unless you buy a tripod that can do the job. A GorillaMobile is a flexible tripod with a custom-designed iphone case for $39.95. You can also purchase GorillaPod for regular cameras for a cost of $21.95. http://joby.com/gorillapod
4. Micro Projectors
(Brief review of the first 3 products made)
Optoma Pico Projector. A video projector so small, you can carry it in your pocket. Then, when it’s time for a little entertainment, you can whip it out, connect it to your iPod or iPhone, and project your videos onto a nearby wall, ceiling or airplane seat back–a far more satisfying experience than watching the movie on a little two-inch screen.
The Optoma projector is aimed almost exclusively at iPods, iPhones and other smartphones that can play video, along with video sources that have RCA cables–the red/white/yellow cable set–like camcorders, DVD players, game consoles, digital cameras and other sources. But you can’t connect it to a laptop (for spur-of-the-boardroom PowerPoint presentations, for example). The Optoma projects iPhone videos effortlessly–but not photos. It is sold in most retail stores ranging from $229-$400. As these mini projectors are new to the market, the costs vary considerably depending on where one purchases the product. http://tinyurl.com/c7q28k
3M’s Micro Professional Projector, the MPro110. The 3M Micro Professional Projector MPro110 costs about $359.00. It’s about the same size as Optoma (2 x .9 x 4.5 inches), but it’s not quite as bright; it tops out at about six feet from your “screen,” casting an image about 40 inches diagonally. And whereas the Optoma projector has a tiny, feeble built-in speaker, the 3M has none at all. If you plan to use it for movies, you’ll also have to plan to connect headphones or speakers.
The 3M projector, on the other hand, is the only micro projector so far that accepts a standard laptop video signal (it has a VGA connector). On one hand, it may seem a little silly to use a micro projector for a laptop; in the end, the projected image isn’t all THAT much larger than the laptop’s own screen. Still, it can make the difference between showing your slides to three people and showing them to eight people. The 3M also accepts input from RCA cables, just like the Optoma. http://www.3m.com/mpro/news.html
Aiptek’s PocketCinema V10. The Aiptek PocketCinema V10 takes yet a third approach. Whereas the Optoma seems made in heaven for iPods and iPhones (and comes with the proper cable), and the 3M is a better bet for laptops, the Aiptek has a slot for a memory card, and, more intriguingly, 1 gigabyte of built-in storage.
In other words, you can carry this thing around without any other equipment at all, preloaded, ready to make your elevator pitch at any time, without having to connect or set up anything. (You do have to convert your pictures and movies to the projector’s preferred formats, which can be a pain.)
Connecting a laptop is pretty much hopeless unless it has either RCA or S-Video connectors, both of which are rare on laptops these days, or a VGA-to-RCA adapter. (Once again, any video source with RCA cables will work.)
The PocketCinema ($249.00-$300) is bigger than the other projectors (4.9 x 2.1 x 0.9), but it’s the only one with a decent speaker, a remote and a tripod. (Maximum image and distance: 42-inch image, 5 feet away.) http://tinyurl.com/y9rfggu
5. Speakers
For rehearsals how about a set of portable speakers for your iPhone? These portable speakers cost $49.99.
http://www.dlo.com/products/view/portspeakers_universal
Or turn your iPod into a boombox. Prices range from $14.00 to $100.
http://www.nextag.com/ipod-portable-speakers/stores-html
Good luck with your holiday shopping. We hope these gift suggestions were helpful! Happy Winter Solstice everyone and Merry Christmas!
Next at Kinetic Cinema: Marýa Wethers Gives a Guide to "Bad Ass Babes" from the Movies
For all the ladies…

Charlie's Angels
“Bad Ass Babes: A Guide to Women Kicking Butt in the Movies”
Curated by Marýa Wethers
Wednesday, March 11, 2009
7:00pm
Tickets: $10 (purchase at the door)
304 Boerum St., Buzzer #11 Brooklyn, NY 11206 718.418.4405 Directions: •L TRAIN to Morgan Avenue
•Exit the BACK of the train
•Turn LEFT outside the station
•Turn LEFT onto Boerum Street
(Chez Bushwick is roughly 80 steps from the station)
Google Map————————
For the past 12 years, Marýa Wethers, has been a major contributor to the experimental dance community in NYC as a performer, administrator, and currently as the Associate Producer at Dance Theater Workshop. What you may not know is that she is also a huge action movie fan. At Kinetic Cinema on Wed March 11th, Marýa will share clips of selected scenes from some of her favorite Hollywood action movies with a female lead or a strong female character. The clips will follow themes such as hand-to-hand combat, weapons, and car chases. These scenes go beyond silly cat fights and show some bad ass women kicking some serious butt. Wowser!
Come on out and show off your own bad ass selves. Dress up as your favorite action heroine and we’ll post pictures of the best-dressed babes here on our blog.
Amy Greenfield's CLUB MIDNIGHT: FLESH INTO LIGHT
Amy Greenfield is an award-winning film-maker and cinedance pioneer. In her latest project, CLUB MIDNIGHT: FLESH INTO LIGHT she combines her films about erotic dancers with Leonard Nimoy’s photography about the divine female presence and re-imagines it all for the stage with a cast of live dancers (featuring Andrea Beeman as the Enchantress of Bioluminosity, Bessie Award-winning dancer Tasha Taylor & Vittoria Maniglio). The result is a true multi-media feast for the senses.
If that isn’t enough to intrigue you, the music features John Zorn’s Masada, words are spoken by Emmy Award-winning actress, Maeve Kinkead, and Lyda Borelli is seen in a 1917 Italian Diva film.
I’m particularly excited to see how Amy, a master of the film image, is able to work with live dance and combine theatricality with the screen. The show has been specially designed for the Leonard Nimoy Thalia Theater at Symphony Space, which is intimate and cabaret-ish, but also allows her to project real 35mm film on a full screen. It’s rare to see a work of such uncompromised vision. After my disappointment last year in Isaac Julien’s “Cast No Shadow” with Russell Maliphant at BAM, I’m hoping that Greenfield’s “Club Midnight: Flesh Into Light” will have a strong choreographic presence and the dancers will not be completely consumed by the seductive screens.

Still from Club Midnight
CLUB MIDNIGHT: FLESH INTO LIGHT
January 30 and 31, 7:30 and 9:30 Nightly
Symphony Space, Broadway at 95th Street, NYC
Reservations: 212-864-5400 or www.symphonyspace.org
More info: www.clubmidnight.net
www.cinemabody.wordpress.com


