Posts Tagged ‘learning’
Doctor’s Hours for Filmmakers one-on-one consultations with film professionals
NYFA’s Doctor’s Hours for Filmmakers at 20 Jay Street, Brooklyn
Thursday March 29th, 6-9pm
NYFA Learning is pleased to announce that with the success of our first Doctor’s Hours for Filmmakers, we are continuing the program. The next round of one-on-one consultations will be held on Thursday, March 29th, from 6-9pm.
Starting a new film? In the middle, finishing, or trying to get one seen? Would you like some professional feedback on a work sample, trailer, website, outreach strategy, written material or grant application? Get the conversation started and come to NYFA’s Doctor’s Hours for Filmmakers. This event will provide you with individual, 20-minute one-on-one consultations with theatrical and nontheatrical distributors, exhibitors, broadcasters, outreach strategists, and fundraisers. Bring a short work sample or trailer, or show them your website, written materials or a grant application. Each appointment will be $25, and there is a three appointment limit.
Consultants: Thursday, March 29th, 6-9pm
Caitlin Boyle, Grassroots and advocacy-driven distribution and marketing, audience outreach and engagement
Jim Browne, Distribution, festivals, exhibition, digital distribution options
Ryan Harrington, Proposals, grant applications, festivals
Amy Finkel, Websites, interactivity, documentary production
Lynn Lobell, Proposals, grants, written materials
Christie Manning Marchese, Social media, new media, blogger engagement, transmedia campaigns
Paul Marchant, Distribution, promotion, festivals
Merrill Sterritt, Outreach, audience development and engagement, theatrical exhibition campaigns
Michael Tuckman, Distribution, festivals, promotional campaigns
*If you will be requesting feedback on a grant application or written material, please be prepared to provide it to us at least one week in advance.
For consultant bios visit our website
The topics we have suggested next to the names of our consultants (above) are certainly not complete descriptions of their expertise. For a better idea of their experiences and knowledge please refer to the short biographies on our website and check the websites of their own businesses and organizations.
TO REGISTER: Please visit our website for the link to registration. This link will activate at 10am on Thursday March 15th.
***Please Note – the registration form will not be active prior to 10am, Thursday, March 15th, 2012. When you register you will need to make a login account for your first registration.
WHERE:
New York Foundation for the Arts (NYFA)
20 Jay Street, Suite 740
Brooklyn, NY 11201
Directions
Dance NYC: Personalizing the Marketing Experience
Monday, November 14, 2011 ~ 5:30pm – 7:00pm
Joyce SoHo
155 Mercer Street (between Prince Street and West Houston)
New York, NY 10012
RSVP: http://dancersvoice.eventbrite.com/
Featured Speakers
Ashley Bouder, Principal Dancer, New York City Ballet
Misty Copeland, Soloist Dancer, American Ballet Theatre
Larry Keigwin, Artistic Director, Keigwin + Company
Megan Sprenger, Choreographer and Director of Marketing and Public Relations, New York Live Arts
The University of Utah’s 8th International Dance for the Camera Festival and Workshop with Katrina McPherson
The University of Utah’s Departments of Modern Dance and Film and Media Arts are offering two opportunities to work with award-winning Scottish dance filmmaker, Katrina McPherson, in her first American residencies. Set in the beautiful mountain city of Salt Lake this two-week workshop offers in-depth experience for choreographers and filmmakers in shooting and editing dance for the camera. Ms. McPherson will hold screenings, discussions, demonstrations, and will oversee the creation of screendance studies by each participant. Editing facilities and personnel will be available, as will dancers for choreographic projects.
Weekend Workshop: September 15 – 17 — Weeklong Intensive Workshop: September 19 – 24
An evening of student works will be presented on Thursday, September 15, 2011 in conjunction with the International Dance for the Camera Festival.
For more information and to register for the workshops go to the Festival website.
Digital Futures in Dance Conference
National Conference
Pavilion Dance, Bournemouth (UK)
8-10 September, 2011
Digital Futures in Dance is an opportunity for artists, promoters, producers, venues, academics and creative and digital companies to come together to discuss future possibilities for dance and technology. With an increasing growth in interdisciplinary practice, Digital Futures in Dance investigates how new digital technologies create new conditions for choreographing and presenting dance. The conference is structured around three interrelated themes explored through presentations, workshops, performances and installations:
The Expanded Stage: Stage, screen and bodies – What will be the stages for dance in the future?
New Body Intelligence: Body data as raw material – How will new intelligence of the body influence choreography in the future?
Social Interaction: Mobile and interactive technology devices – How will increased interactivity influence the creation and reception of dance in the future?
The programme will feature international artists and researchers across the dance, technology and media spectrums including Jonah Bokaer, Billie Cowie, Marlon Barrios-Solano, Harriet Macauley | Pair Dance, Johannes Birringer, Renana Raz, Mark Coniglio, and Marina Tsartsara.
See the full programme here.
Waterwheel Site Brings Together Artists, Scientists and Activists
Today at 4am USA Eastern Standard Time, and 6pm in Brisbane Australia, the interactive Waterwheel platform will launch with a crew of collaborators and audience members from around the world converging online in real time. Waterwheel is an ongoing interactive, collaborative platform for performance, presentation and exchange exploring water, as a topic of politics, science and metaphor. The brain child of Brussel’s born Suzon Fuks, a media artist, choreographer and director, the project developed out of her growing interest in global water politics and the richness of the topic for artistic expression.
Last week as the site was in its final stages of tweaking, Fuks gave me a tour of the platform and showed me all the things it can do. Along with her team of technicians and artists Fuks has created a very sophisticated site, one that works as well or better than most social media sites or online conferencing platforms. With years of experience designing intermedia and live networked performances, Fuks knew what she wanted, and what was needed to achieve the intentions of the site. Each section of the site is modeled to emulate some function of water, with the net result that it “flows” together seamlessly, and feeds and regenerates the overall experience for everyone who uses it.
When you first encounter the site on the homepage there is a beautiful wheel with 40 concentric rings that ripple with the latest media content that has been uploaded to the site. From there you can explore the raw media, or you can enter one of the “Taps” which are highly sophisticated real-time spaces to hold networked performances, presentations, workshops, or exchanges. All of the media up-loaded to the Waterwheel by users is available for real-time mixing and integration on the Taps as well as live video, audio, and drawing tools.
Another component of the site is a map showing “Fountains” going on all around the world. A Fountain can be anything flowing from the Taps (ie current or up-coming Taps), or they can be events about water that users submit to the site. These could be a performance or presentation, an exhibition or conference, a book launch or a film premiere. The Fountains are the place for users to promote their projects or events, or find other similar projects of interest and upcoming events happening nearby or around the world.
While the Waterwheel is focused on water, the platform itself is incredibly facile and could be useful for any group that wants to converge around a specific area of interest. I asked Fuks about whether she would be making more platforms like this in the future. In her reply, she emphasized that exploring water topics remains her primary motivation, however she does see the marketability of the platform they have designed and they are considering commercializing the technology as a means of funding Waterwheel.
The success of the platform is in the hands of the people who use it, so dive on in and splash around in the beautiful liquid world of Waterwheel.
Details of the Launch Event:
On Monday 22 August 2011, the new Waterwheel project and website will be launched at the Judith Wright Centre of Contemporary Arts in Brisbane from 6pm, and online on the Waterwheel website with a program of free performances.
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